MUQADDAS CROWNED AS LG STAR
PAKISTAN’S NEXT SINGING SENSATION
Muqaddas from Szabist seized the ultimate honor of LG Star and wins the grand prize worth Rupees five million
‘LG Awaaz Banaey Star’, Pakistan’s first ever student singing competition recently concluded on Geo TV. The competition had been highly entertaining and engaging with highest viewership ratings. Keeping the spirit of the competition high, the extravaganza had its thrills and excitement throughout, performances by all the participants were full of energetic vibes and participants tried their best to be crowned for country’s first ever ‘LG Star’. The show was produced by BBCL sponsored by LG Mobile.
The Grand Finale night was a real entertainment. A galaxy of leading film & TV stars and LG Mobile style & fashion walk by top models including Iraj, Rubab, Fauzia, Maha, Uzma & Ayesha sizzled the ramp with LG mobile handsets and added flair & color to the grand finale at which this glorious journey reached its zenith. The Grand Finale was very well conducted by Muzna & Tipu. All the guests praised the concept, the talent, anchors and the judges of the show. On this occasion the program director, Arshad Iqbal and the creative director Shahid Iqbal thanked Team LG Mobile, Team GEO, participating educational institutions, the students, their parents, the judges, the anchors, the guests and the entire team for their untiring efforts during the production of 55 episodes of LG Awaaz Banaey Star.
Arshad Iqbal also mentioned that BBCL is Mashallah the only company which has been successful in selecting and grooming the talent for music industry in Pakistan from educational institutions across the country. BBCL will continue the mission by further grooming the talent who could not make it to the final. BBCL also pledges to launch one song each for selected participants to encourage them and continue the journey. Conceptualization and production of LG ABS has been very interesting and rewarding for all and we look forward to more opportunities for the students of Pakistan. As it goes without saying that BBCL is all set to produce the album for Muqaddas, Pakistan’s next singing sensation, very soon.
The grand Finale was held at Karachi Expo Centre which was transformed into an arena one seldom experiences. The celebrities and guests including the legendary film & TV star Nadeem to Fatima Suraiyya Bajiya, one of the greatest writers South Asia has produced, Behroze Sabzwari, Shakeel, Qazi Wajid, Badar Khalil, Aisha Umer, Angeline Malik, Asad and Tanseer Dar of Karavan, Khalid of Aaroh and many others started pouring in on time. After an array of arrival drinks for the guests, a multi course dinner was served to the taste delights of the incomers. As they came out of the dining area, a red carpet awaited them, where the celebrities and the corporate guests were being interviewed by two of the brightest stars of contemporary generation of Pakistani TV hosts, Anoushey & Faizan.
Anoushey & Faizan’s light banter and interesting questions kept the red carpet alive. Hundreds of people took advantage of this opportunity and took photos with their stars. As you entered the main arena where the main stage was set, you are immediately struck by the vastness of the performance area, the size of the place and an impressive set design. The lighting effects in the hall gave the atmosphere an amazing aura and the sound system was state of the art. The seating arrangement was immaculately planned out and the audience were extremely enthralled.
Mr. C. S. Kim, LG’s Head of MEA Business Support Team in Mobile Communications Company, acknowledged the effort made by team LG & Team BBCl. He also mentioned that Pakistan is his second homeland. Fatima Suraiyya Bajiya and Pervez Iqbal Managing Director BBCL presented an award to Mr. C. S. Kim on taking the great initiative of launching Pakistan’s first and the biggest student singing competition.
As the film & TV star Nadeem & Behroze Sabzwari took their places on the sofa that was placed on the stage, Tipu & Muzna, who’d taken over from Anoushey & Faizan, asked Muqaddas to come and open the show. Muqaddas chooses to sing ‘Albela Sajan’ from the film ‘Hum Dil De Chuke Sanam’. Seems like Muqaddas has a thing going on for Raag ‘Ahir Bhairav’ as it’s the second time he chooses to sing a song which is done in Taal ‘Kherava’. Muqaddas, as expected, fabricated the song well. The judges were quick to respond positively and Muqaddas seemed to be one up on Zain. Next up, Zain was called up. Zain’s choice for the night was Shafqat Amanat Ali’s ‘Kheriyan De Naal’. Zain swirled his way through the track but the judges were not impressed and gave Zain an average rating.
Hamza came on stage and performed ‘All Iz Well’ accompanying all the participants and Aima once again dragged the audiences back into the 80’s with her track ‘Piya Tu Ab To Aaja’. A dance performance by ‘Nomi King’ and his group was staged before Nizar Lalani & Hadiqa took the stage. Hadiqa did her track ‘Az Chashme Saaqi’ with Nizar Lalani accompanying her on the piano and whirling dancers to bring a Dervish feel to this sufist track.
Back to the finalists, and Muqaddas takes the mic again. This time round Muqaddas’ choice was ‘Tere Naina’ from the film ‘My Name Is Khan’. Muqaddas goes through the track almost effortlessly and makes the judges nod their heads one more time. For Zain the choice was ‘Tere Naina’ from the film ‘De Dana Dan’. Zain struggled in his earlier performance and failed to impress the judges, this time round though he got applauses from the judges and seemed more at ease both with his voice and the choice of the song.
A few more awards were given away to both Team LG and Team BBCL by Aisha Umer, Shakeel & Angeline Malik before Salamat Ali Khan & Azra Salamat Ali took the stage to render one of their ghazals. And then it was back to the finalists for their last performances in the show.
Muqaddas’ choice was ‘Ae Watan Pak Watan’ by Noor Jehan. The track did wonders for Muqaddas. The audience loved it. You could hear them clapping every time Muqddas closed on the canto and after he finished it, you could hear the audience clapping for a good few seconds, standing up. Was it Muqaddas’ voice or the ignited patriotism through the lyrics of the track, remained a mystery. It is now Zain’s turn and he chooses ‘Deewane’ by Shafqat Amanat Ali. A near disastrous start of the song for Zain as he skips the first line of the track and picks it up from the second one. May have gone unnoticed for some in the audience but judges sure did spot it. Zain didn’t stop there, he again fumbles in the middle of the track and seals this performance as his worst in the entire show. What an occasion to save your worst performance for. The judges obviously were not prepared to buy into anything positive that Zain may have mustered towards the end of his last performance and brought him down.
So there you go, all three performances by the two finalists are out of the way and now it’s time for the judges to reveal who will walk away with a grand prize of Rupees Five Million, an album recording contract and become the country’s first ever ‘LG Star’. The judges come onto the stage and after several suspense filled agonizing moments, they announced that the first ‘LG Star’ to be crowned is: MUQADDAS!
The air filled with confetti, the audience rose from their seats, party music in the background, everyone’s on stage and Muqaddas lifts the ‘LG Star’ trophy in the air.
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Sunday, August 8, 2010
Tuesday, July 27, 2010
LG ABS EPISODE 54 - 2nd SEMI FINAL
The 2nd semifinal started with a startling performance by Muqaddas from Szabist. Muqaddas sang ‘Gulabi Ankhen’ from 1970’s Bollywood classic, ‘The Train’. An R D Burman composition sang by ‘Mohammad Rafi’. Muqaddas as always captured the soul of the track right from the beginning. His soft mellow voice did justice to the tone the song required. You could see faces in the crowd lip synching along with the song and swaying with it. The judges were all eyes as to pick on that moment when Muqaddas falters. But Muqaddas was not in the mood to give it up that easy tonight. He grabbed the song beautifully all the way through and finished it on a powerful note. The judges seemed happy though hey picked on a few minor hiccups and let Muqaddas get away with it.
Next up to take on the stage is ‘Alycia’. Alycia, as we’ve always mentioned, has a rusty sometimes even smoky voice, and if there were one song that really fitted her voice like a perfect piece into a jigsaw or that combination of Rubik’s Cube, it would’ve been ‘Beedi’ from Omkara. Legend has it that the extras in the filming of that song were actual villagers and they were provided with booze and unleashed (as it were) on to the set with Bipasha, you guessed it, later on Bipasha wasn’t the happiest of bunnies. Anyway, Alycia really needed to pull her socks up to get through this beast of a track. A real ‘Mast’ track which could be taken out of context to turn into a rather saucy or even raunchy one. Alycia really had to work her lungs on some parts of this track. Unfortunately she lacked what the original singer of this track, Sunidhi Chauhan, has in abundance, a high pitch. Alycia struggled, to say the least, to get through this track. Hadiqa mentioned she should stick to her forte, which, she elaborated, is rather western. Alycia fails to make an impression. Other judges followed suit.
Next up is Jibran. The song; Shankar Mahadevan’s ‘Breathless’. When this song was recorded it wasn’t actually done in one straight go, it was recorded and sampled in segments. Hence it wasn’t really a breathless song so to speak. So when ‘Jibran’ tries his hands at it tonight with a live version it’s got to be something absolutely spectacular to take the judges breathe away or else he’ll fall flat on his face. Jibran does well to start the song off. Seems as though he’ll manage to keep his breath long enough to get through it. The audiences started appreciating his effort early on with the applause. The judges could be noticed to keenly monitoring Jiran’s breath holding ability. Provided the track was actually done in segments and for Jibran to sing it live in front of the audience, you’ve got to give him marks for the sheer audacity. The judges shared the same view, Nizar Lalani actually mentioned how the song was recorded. Both Hadiqa and Salamat Saheb appreciated Jibran’s effort too.
Next up is Aima. The song she chose for tonight was ‘Barso Re’ from the Mani Ratnum cult endeavour; ‘Guru’. The composer, the maestro himself ‘A R Rahman’, the singer ‘Shreya Ghoshal’. It’s one of those songs which is real easy on the ears and makes itself sound so normally sung. In reality the composition has it’s own hidden parts where a singer really has to pull through. And these were exactly the points during Aima’s performance that the judges must be looking to pick on and surely Aima must be aware of it as well. Aima got the crowd behind her from the start even the judges were seen shaking their heads a couple of times. Aima has that thing in her voice that must make a vocal critic think twice before they deliver a verdict on her. And it’s the same approach that was adopted by the judges when it came down to analyze Aima’s performance for the night. It was a mix bag for Aima this time round. All three judges held their comments a tad bit back. Is Aima on strong footings? Remains to be seen.
Next up is that kid who’s dubbed ‘Simba’ by Hadiqa Kiyani’. It’s Zain, the happy go lucky dude. Always has a smile on his face, comes along and delivers a package forceful enough to push both the audiences and the judges back in their seats. A deceptive trait utilized in a positive but extremely powerful manner. Don’t go by the smile on this beautiful vocalist’s face because when he comes on stage he means business. And business is what Zain meant tonight. He decided to sing a song contrary to his natural pitch and selection, it’s a pop track titled ‘Kohram’ by one of the pop sensations recently produced in sub continent, ‘Amanat Ali’. As usaual Zain has the crowd behind him right from the beginning, more so because the track was hip and fast. The pop nature of the song meant that Zain’s sound box won’t be put under stress hence a below average performance by Zain contrary to what he delivered in his earlier performances. The judges towed the same line. It was carrot and stick for Zain this time round.
Next up is Sajid from Preston University. He sings ‘Khoya Khoya Chand’ from 1960’s Bollywood classic ‘Kala Bazar’. The composer, the legendary ‘S D Berman’. Singing classic Bollywood romanticized tracks requires that certain softness and mellowing voice to bring up the true essence of these songs as they were sung then, back in that era. To achieve that mellowness, Sajid repeats the same mistake he made in his 1st performance of the semis. He went overboard trying to bring in that soft touch to this track. The judges seemed not interested right from the beginning. Sajid failed to rope in the audience into the track and struggled to make an impression on the judges. An over all disappointing last performance from Sajid could mean the end of the road for him in the competition.
It’s decision time!
Who goes through to the Grand Finale after all those excruciating and agonizing moments to find out their fates during the elimination process is going to be decided. All the judges accompanied by the semifinalists and the hosts are onto the stage. The judges announce the first grand finalist; it’s ‘Zain’. And the one to battle it out with him onto the stage during the Grand Finale is ‘Muqaddas’.
There we go, more than one year of struggle and facing elimination madness these two have finally made it to the big stage, the grand finale. To see them battle it out on your television sets do tune into GEO Entertainment.
Ciao!
Next up to take on the stage is ‘Alycia’. Alycia, as we’ve always mentioned, has a rusty sometimes even smoky voice, and if there were one song that really fitted her voice like a perfect piece into a jigsaw or that combination of Rubik’s Cube, it would’ve been ‘Beedi’ from Omkara. Legend has it that the extras in the filming of that song were actual villagers and they were provided with booze and unleashed (as it were) on to the set with Bipasha, you guessed it, later on Bipasha wasn’t the happiest of bunnies. Anyway, Alycia really needed to pull her socks up to get through this beast of a track. A real ‘Mast’ track which could be taken out of context to turn into a rather saucy or even raunchy one. Alycia really had to work her lungs on some parts of this track. Unfortunately she lacked what the original singer of this track, Sunidhi Chauhan, has in abundance, a high pitch. Alycia struggled, to say the least, to get through this track. Hadiqa mentioned she should stick to her forte, which, she elaborated, is rather western. Alycia fails to make an impression. Other judges followed suit.
Next up is Jibran. The song; Shankar Mahadevan’s ‘Breathless’. When this song was recorded it wasn’t actually done in one straight go, it was recorded and sampled in segments. Hence it wasn’t really a breathless song so to speak. So when ‘Jibran’ tries his hands at it tonight with a live version it’s got to be something absolutely spectacular to take the judges breathe away or else he’ll fall flat on his face. Jibran does well to start the song off. Seems as though he’ll manage to keep his breath long enough to get through it. The audiences started appreciating his effort early on with the applause. The judges could be noticed to keenly monitoring Jiran’s breath holding ability. Provided the track was actually done in segments and for Jibran to sing it live in front of the audience, you’ve got to give him marks for the sheer audacity. The judges shared the same view, Nizar Lalani actually mentioned how the song was recorded. Both Hadiqa and Salamat Saheb appreciated Jibran’s effort too.
Next up is Aima. The song she chose for tonight was ‘Barso Re’ from the Mani Ratnum cult endeavour; ‘Guru’. The composer, the maestro himself ‘A R Rahman’, the singer ‘Shreya Ghoshal’. It’s one of those songs which is real easy on the ears and makes itself sound so normally sung. In reality the composition has it’s own hidden parts where a singer really has to pull through. And these were exactly the points during Aima’s performance that the judges must be looking to pick on and surely Aima must be aware of it as well. Aima got the crowd behind her from the start even the judges were seen shaking their heads a couple of times. Aima has that thing in her voice that must make a vocal critic think twice before they deliver a verdict on her. And it’s the same approach that was adopted by the judges when it came down to analyze Aima’s performance for the night. It was a mix bag for Aima this time round. All three judges held their comments a tad bit back. Is Aima on strong footings? Remains to be seen.
Next up is that kid who’s dubbed ‘Simba’ by Hadiqa Kiyani’. It’s Zain, the happy go lucky dude. Always has a smile on his face, comes along and delivers a package forceful enough to push both the audiences and the judges back in their seats. A deceptive trait utilized in a positive but extremely powerful manner. Don’t go by the smile on this beautiful vocalist’s face because when he comes on stage he means business. And business is what Zain meant tonight. He decided to sing a song contrary to his natural pitch and selection, it’s a pop track titled ‘Kohram’ by one of the pop sensations recently produced in sub continent, ‘Amanat Ali’. As usaual Zain has the crowd behind him right from the beginning, more so because the track was hip and fast. The pop nature of the song meant that Zain’s sound box won’t be put under stress hence a below average performance by Zain contrary to what he delivered in his earlier performances. The judges towed the same line. It was carrot and stick for Zain this time round.
Next up is Sajid from Preston University. He sings ‘Khoya Khoya Chand’ from 1960’s Bollywood classic ‘Kala Bazar’. The composer, the legendary ‘S D Berman’. Singing classic Bollywood romanticized tracks requires that certain softness and mellowing voice to bring up the true essence of these songs as they were sung then, back in that era. To achieve that mellowness, Sajid repeats the same mistake he made in his 1st performance of the semis. He went overboard trying to bring in that soft touch to this track. The judges seemed not interested right from the beginning. Sajid failed to rope in the audience into the track and struggled to make an impression on the judges. An over all disappointing last performance from Sajid could mean the end of the road for him in the competition.
It’s decision time!
Who goes through to the Grand Finale after all those excruciating and agonizing moments to find out their fates during the elimination process is going to be decided. All the judges accompanied by the semifinalists and the hosts are onto the stage. The judges announce the first grand finalist; it’s ‘Zain’. And the one to battle it out with him onto the stage during the Grand Finale is ‘Muqaddas’.
There we go, more than one year of struggle and facing elimination madness these two have finally made it to the big stage, the grand finale. To see them battle it out on your television sets do tune into GEO Entertainment.
Ciao!
Tuesday, July 20, 2010
LG ABS EPISODE 53 - 1st SEMI FINAL
‘Deep Jale Surr Ke Sagar Main, Jab Main Geet Sunaoon’ kind of sums it up for a voice, this generation would be telling their grand kids about, with a certain fervor in their eyes. The name ‘Mehdi Hassan’ has already attained the attribute ‘Legend’ attached to it while he’s still breathing amongst us mortals. Jibran believes he has what it takes to take on Mehadi Hasan, he sings ‘Lagi Re’. Pitching the right notes with precise accuracy was what the song asked for. Jibran tried doing justice to this seemingly nicely flowing song but in true sense a difficult track. Trying to sing a Mehdi Hasan song comes with its own set of merits & demerits and Jibran was no exception to this rule. Jibran mustered an average performance but still gathered a mixed reaction from the judges. Carrot & stick!
Next up is Aima. She sings ‘Mere Dholna Sunn’ from the film ‘Bhool Bhulaiyya’. ‘Devdas’ famed, Sameer did the lyrics for this song. Aima in her trademark style started the song strongly. A few minor hiccups as she reaches mid way through. She manages to execute the Sargam in the middle of the song in a powerful manner and with that came the applause of the audience. Nizar Lalani was seen shaking his head a few times during the song, was he appreciating the song or he was just not happy with Aima not hitting the right notes, remained a mystery. The audience though as always seemed to be enjoying the song. In the end Aima fell short of expectations of the judges as they asked her to practice more and come back stronger in the next round.
Next up is Sajid. Sajid decides to sing the song ‘Aik Pyaar Ka Naghma Hay’ from 1972 Bollywood film ‘Shor’. Music done by an ever experimenting South Asian music maestro ‘Lakshmikant Pyarelal’. The song set records when it was released in early seventies. A soft track ideally suited to Sajid’s mellow voice. Sajid though made a mess of the song as soon as he exercised his vocal chords to begin the song. It was absolutely obvious right from the off set that Sajid was trying to bring in that bass that was required for the song and he was failing miserably. He carried the same approach right throughout the song. Trying to be someone else’s voice cost Sajid. The judges weren’t happy at all. Hadiqa specially mentioned that Sajid shouldn’t try copying others and should stick to his own style. Nizar Lalani said ‘Maza Nahin Aaya!’
Next one to take the stage is ‘Alycia’. Alycia sings the song ‘Aisa Lagta Hay’ from ‘Abhishek Bachchan’s’ debut film; ‘Refugee’. A sentimental track meant ‘Alycia’ won’t have to put in a lot of effort to pull it off as she has that voice which suits it. Alycia manages the track well in the beginning but started to struggle in the middle and never recovered from that point on. Hadiqa mentioned that she has a western touch to her voice and she should stick to it, work more on that and find her own niche and try to excel in it. Salamat Ali Khan Saab joined the wagon by criticizing Alycia for choosing this song. All in all it wasn’t Alycia’s day.
Next one to walk up to the stage was Zain. Donning a traditional ‘Kurta’, wearing a shawl, Zain takes a confident walk up on to the ramp. Zain has expressions on his face contrary to his usual appearance, normally he’s a happy face bunny but tonight there’s something in his eyes. The prelude hits the amps, sounds like a slow song, a few seconds into it Zain starts a magnificent alaap and the audience and judges readjust themselves in their seats and brace themselves for what was about to take place. As Zain starts the song it’s a Nusrat Fateh Ali Khan composition ‘Sanwre’ for the film ‘Bandit Queen’. A haunting track that slowly creeps up on you and drags you within. Zain’s sound box was producing combinations of sounds that played a lingering effect on audiences’ and judges’ neurons. Zain came up with an immaculate performance that made the audiences clap many a times during the song. There was a standing ovation when Zain finished the song. Hadiqa repeated what she said earlier that you should stick to your own niche of music and improve on it. Salamat Ali Khan Saab said daring to sing this song live is in itself a big task and managing to pull of a performance at this caliber deserves to be appreciated. Nizar Lalani didn’t beat about the bush and summed it up in one sentence: ‘Zain! Tum Gayak Ho!’
Next up is Muqaddas. If there’s one person who can put up a fight with Zain’s vocal talents it’s got to be Muqaddas. Muqaddas takes the ramp in his usual calm and confident manner. He’s singing ‘Pyaar Nahin Hay Surr Se Jisko’ a semi classical track sung by the man who knew his music inside out, Ustaad Amanat Ali Khan Saab. Muqaddas starts the song off in pretty much the same manner as Zain did, with a well executed alaap to warm up the audience to a musical treat he was about to serve them with. Muqaddas keeps a strong grip on the song throughout his performance, executing a sargam in the middle as well. Audience loved the performance too and showed their appreciation through putting their hands together for him. At the end of his performance Muqaddas received a positive feedback from the judges. Nizar Lalani appreciated the effort and said the song was a tough choice but Muqaddas did well. Both Hadiqa & Salamat saab appreciated Muqaddas’ effort too.
Next up is Aima. She sings ‘Mere Dholna Sunn’ from the film ‘Bhool Bhulaiyya’. ‘Devdas’ famed, Sameer did the lyrics for this song. Aima in her trademark style started the song strongly. A few minor hiccups as she reaches mid way through. She manages to execute the Sargam in the middle of the song in a powerful manner and with that came the applause of the audience. Nizar Lalani was seen shaking his head a few times during the song, was he appreciating the song or he was just not happy with Aima not hitting the right notes, remained a mystery. The audience though as always seemed to be enjoying the song. In the end Aima fell short of expectations of the judges as they asked her to practice more and come back stronger in the next round.
Next up is Sajid. Sajid decides to sing the song ‘Aik Pyaar Ka Naghma Hay’ from 1972 Bollywood film ‘Shor’. Music done by an ever experimenting South Asian music maestro ‘Lakshmikant Pyarelal’. The song set records when it was released in early seventies. A soft track ideally suited to Sajid’s mellow voice. Sajid though made a mess of the song as soon as he exercised his vocal chords to begin the song. It was absolutely obvious right from the off set that Sajid was trying to bring in that bass that was required for the song and he was failing miserably. He carried the same approach right throughout the song. Trying to be someone else’s voice cost Sajid. The judges weren’t happy at all. Hadiqa specially mentioned that Sajid shouldn’t try copying others and should stick to his own style. Nizar Lalani said ‘Maza Nahin Aaya!’
Next one to take the stage is ‘Alycia’. Alycia sings the song ‘Aisa Lagta Hay’ from ‘Abhishek Bachchan’s’ debut film; ‘Refugee’. A sentimental track meant ‘Alycia’ won’t have to put in a lot of effort to pull it off as she has that voice which suits it. Alycia manages the track well in the beginning but started to struggle in the middle and never recovered from that point on. Hadiqa mentioned that she has a western touch to her voice and she should stick to it, work more on that and find her own niche and try to excel in it. Salamat Ali Khan Saab joined the wagon by criticizing Alycia for choosing this song. All in all it wasn’t Alycia’s day.
Next one to walk up to the stage was Zain. Donning a traditional ‘Kurta’, wearing a shawl, Zain takes a confident walk up on to the ramp. Zain has expressions on his face contrary to his usual appearance, normally he’s a happy face bunny but tonight there’s something in his eyes. The prelude hits the amps, sounds like a slow song, a few seconds into it Zain starts a magnificent alaap and the audience and judges readjust themselves in their seats and brace themselves for what was about to take place. As Zain starts the song it’s a Nusrat Fateh Ali Khan composition ‘Sanwre’ for the film ‘Bandit Queen’. A haunting track that slowly creeps up on you and drags you within. Zain’s sound box was producing combinations of sounds that played a lingering effect on audiences’ and judges’ neurons. Zain came up with an immaculate performance that made the audiences clap many a times during the song. There was a standing ovation when Zain finished the song. Hadiqa repeated what she said earlier that you should stick to your own niche of music and improve on it. Salamat Ali Khan Saab said daring to sing this song live is in itself a big task and managing to pull of a performance at this caliber deserves to be appreciated. Nizar Lalani didn’t beat about the bush and summed it up in one sentence: ‘Zain! Tum Gayak Ho!’
Next up is Muqaddas. If there’s one person who can put up a fight with Zain’s vocal talents it’s got to be Muqaddas. Muqaddas takes the ramp in his usual calm and confident manner. He’s singing ‘Pyaar Nahin Hay Surr Se Jisko’ a semi classical track sung by the man who knew his music inside out, Ustaad Amanat Ali Khan Saab. Muqaddas starts the song off in pretty much the same manner as Zain did, with a well executed alaap to warm up the audience to a musical treat he was about to serve them with. Muqaddas keeps a strong grip on the song throughout his performance, executing a sargam in the middle as well. Audience loved the performance too and showed their appreciation through putting their hands together for him. At the end of his performance Muqaddas received a positive feedback from the judges. Nizar Lalani appreciated the effort and said the song was a tough choice but Muqaddas did well. Both Hadiqa & Salamat saab appreciated Muqaddas’ effort too.
Monday, July 12, 2010
LG ABS EPISODE 52 - 4th QUARTER FINAL
The director enters the control room; puts on his headset and stands in front of the sound console. The audiences are packed in, waiting for the show to start. He exchanges a few words with the creative director. ‘Par Cans checked?’ He speaks to the light designer over the radio, ‘All checked sir!’ He gets a reply. ‘Cameras ready?’ He radios his production manager in the OB Van. ‘All checked!’. He then checks with the sound engineer and after getting the nod, he says ‘Bismillah’! as he presses the button to speak to the audiences. And here begins another episode of LG Awaaz Banaey Star.
From lighting to make up, from props to set designing, from sound to wardrobes, from video to still cameras, from getting the taan of the tabla right to making sure the lighting is the right temperature, from getting rid of the unwanted shadows to getting the sound gain right, from composing the right frame onto your television screens to getting that extra bit of zing and from leading people to making sure that each individual is doing their job right, there’s a lot that goes into a live audience musical show. Trust us, there’s blood & sweat in this dough!
To throw the show open it’s Wasi. The song: ‘Lagan Lagi’ from the film ‘Dil Kya Kare’, the singer: ‘Sukhwinder Singh’. Wasi starts the song off in an energetic manner and manages to lift the audience up along. What looked like a track infused with a lightening punch did the trick for Wasi early on, as one could see the judges shaking their heads along with the beat. Wasi carried the initial zing factor all throughout the song. Grabbing the track from the jugular it was as though he’s saying; is that all you got? An impressive looking Wasi almost unleashed his vocal talent to go stray on the stage. He engaged the audience right from the beginning of the song and completely immersed himself into it. The judges appreciated his effort. Salamat Ali Khan saab though had some reservations about couple of things that he thought Wasi could improve on.
Next up, it’s Jibran. Sporting butterfly dark glasses, a chain hanging onto the sides of his chequered trousers, donning a waist coat, sleeves rolled up, Jibran looked all set to take the breath away. The song ‘Banware Banware’, the film ‘Luck By Chance’, the siger ‘Shankar Mahadevan’. A fast paced song that could make or break it for Jibran. Sudden changes of tans and surrs could mean either a disaster for him or an execution well carried out. Jibran not only managed to lift the crowd up with the song and spectacle, he also showed a few dance moves custom made for the in house audience. A ‘Thumka’ here and there did the trick for him as he put a smile or too not oly onto the faces of the audience but the judges too. Jibran deals well with the task he associated himself with. He not only pleased the crowd but it seemed the judges were on his side too. Lady luck was smiling on him. The judges dubbed him a complete package yet again. The word Hadiqa came up with was; Fantastic!
Next up, it’s Ghazal! The song ‘Namak’ from the film ‘Omkara’, the singer ‘Rekha Bhardwaj’. Omkara’s music was a trendsetter in Bollywood. Vishal Bhardwaj’s compositions especially for this film took on critics head on. Vishal’s other half; Rekha’s rusty voice gave that extra flavor to this track. Ghazal really had to pull her socks up to do justice to this song as it demands a rusty execution all through. To start with, Ghazal failed to start off the song with a bang right at the beginning, as she missed on the timings. Plus it felt like she was running after the song all the time trying to catch up with it. The whole thing sounded a bit sluggish to say the least. It was missing that flare and the rustiness that was required here. Ghazal struggled to pull the crowd in despite her efforts to come up with a dance move. The judges caught on the same things that were obvious throughout her performance. The catch up and loose grip on the song took Ghazal down.
Next up, it’s Muqaddas. The song ‘Jhoom Aye Dil’, the film ‘Dil Mera Dhadkan Teri, the singer ‘Masood Rana’. Choosing a Pakistani song in a Pakistani singing competition always works in ones favour. And that did the trick for Muqaddas. He managed to lure the audience in right from the beginning. That sentimental attachment to a Pakistani melody was played upon well by Muqaddas. Psychological mind bending aside, Muqaddas coupled it up with a smooth execution of the song as well. Muqaddas already possesses a silky voice and that adds up whenever he’s performing and it always works in his favor. Keeping a strong grip on the song throughout, Muqaddas managed to break into the fold of positive notes from the judges. Hadiqa said the same that was felt strongly by the in house and that Muqaddas worked his magic with his silky smooth vocals and said choosing a Pakistani song was a good idea. Salamat Ali Khan saab and Nizar Lalani played second fiddle.
Next up, it’s Subata. The song ‘Aaj Dil Gustakh Hay’, the film ‘Blue’, the singer ‘Shreya Ghoshal’. A beautifully worded song by ‘Mayar Puri’ equally well composed with a nice contemporary beat to it, this song is a difficult choice for Subata. But she looks in a defining mood tonight, as she takes the stage, there’s a flare in her eyes. As the music starts, she throws her arm, getting along with the initial beat. Subata looks all set to take on the song head on. In her trademark smooth voice Subata did a decent job with a song that demanded a versatile vocal ability to perform it to its merits. The audience clapped all along, though Subata struggled to bring in that x factor to the song. The judges politely pointed out what areas Subata had to work more upon. Hadiqa said that Subata is full of talents provided she works harder on her weaker points.
To close the show off, it’s Sajid. The song ‘Aaj Kal Tere Mere Pyaar Ke Charche’, the film ‘Brahmachari’ (1968), the singer ‘Mohamad Rafi’. To sing Rafi, like any other great vocalist, is an uphill task. Sajid has that knack required to sing Rafi but with a lot of practice and may be a decade of singing. That said, Sajid does have his moonwalk. Yes, Sajid has this signature dance move where he gets into the ‘Jackson’ mood. But the dance move is not the only thing he has in his repertoire. To go along with the other talent he put on display, he has an impressive vocal capacity. With tonight’s performance he drew the audience into the song. Getting along nicely with his impressive effort he fumbled a bit in the middle but recovered well and made it go unnoticed especially with the audience. The judges appreciated Sajid’s effort and gave him full marks for his moonwalk too!
It’s decision time!
The judges are up on the stage along with all the contestants. The first name Hadiqa announces is ‘Muqaddas’. The second one is ‘Aima’. The third to go to the semi finals is ‘Sajid’. At this point of time Hadiqa announces that there’s a twist in the story and rather than choosing three semifinalists, there’s a tie between three participants and they will all be going to the semis. So rather than having 3 participants, there will now be 6 semi finalists. The next one to go to the semi finals is ‘Jibran’. The fifth lucky participant to qualify for the semis is ‘Alycia’. And last but not the least it’s ‘Zain’.
See ya’ll at the semis!
From lighting to make up, from props to set designing, from sound to wardrobes, from video to still cameras, from getting the taan of the tabla right to making sure the lighting is the right temperature, from getting rid of the unwanted shadows to getting the sound gain right, from composing the right frame onto your television screens to getting that extra bit of zing and from leading people to making sure that each individual is doing their job right, there’s a lot that goes into a live audience musical show. Trust us, there’s blood & sweat in this dough!
To throw the show open it’s Wasi. The song: ‘Lagan Lagi’ from the film ‘Dil Kya Kare’, the singer: ‘Sukhwinder Singh’. Wasi starts the song off in an energetic manner and manages to lift the audience up along. What looked like a track infused with a lightening punch did the trick for Wasi early on, as one could see the judges shaking their heads along with the beat. Wasi carried the initial zing factor all throughout the song. Grabbing the track from the jugular it was as though he’s saying; is that all you got? An impressive looking Wasi almost unleashed his vocal talent to go stray on the stage. He engaged the audience right from the beginning of the song and completely immersed himself into it. The judges appreciated his effort. Salamat Ali Khan saab though had some reservations about couple of things that he thought Wasi could improve on.
Next up, it’s Jibran. Sporting butterfly dark glasses, a chain hanging onto the sides of his chequered trousers, donning a waist coat, sleeves rolled up, Jibran looked all set to take the breath away. The song ‘Banware Banware’, the film ‘Luck By Chance’, the siger ‘Shankar Mahadevan’. A fast paced song that could make or break it for Jibran. Sudden changes of tans and surrs could mean either a disaster for him or an execution well carried out. Jibran not only managed to lift the crowd up with the song and spectacle, he also showed a few dance moves custom made for the in house audience. A ‘Thumka’ here and there did the trick for him as he put a smile or too not oly onto the faces of the audience but the judges too. Jibran deals well with the task he associated himself with. He not only pleased the crowd but it seemed the judges were on his side too. Lady luck was smiling on him. The judges dubbed him a complete package yet again. The word Hadiqa came up with was; Fantastic!
Next up, it’s Ghazal! The song ‘Namak’ from the film ‘Omkara’, the singer ‘Rekha Bhardwaj’. Omkara’s music was a trendsetter in Bollywood. Vishal Bhardwaj’s compositions especially for this film took on critics head on. Vishal’s other half; Rekha’s rusty voice gave that extra flavor to this track. Ghazal really had to pull her socks up to do justice to this song as it demands a rusty execution all through. To start with, Ghazal failed to start off the song with a bang right at the beginning, as she missed on the timings. Plus it felt like she was running after the song all the time trying to catch up with it. The whole thing sounded a bit sluggish to say the least. It was missing that flare and the rustiness that was required here. Ghazal struggled to pull the crowd in despite her efforts to come up with a dance move. The judges caught on the same things that were obvious throughout her performance. The catch up and loose grip on the song took Ghazal down.
Next up, it’s Muqaddas. The song ‘Jhoom Aye Dil’, the film ‘Dil Mera Dhadkan Teri, the singer ‘Masood Rana’. Choosing a Pakistani song in a Pakistani singing competition always works in ones favour. And that did the trick for Muqaddas. He managed to lure the audience in right from the beginning. That sentimental attachment to a Pakistani melody was played upon well by Muqaddas. Psychological mind bending aside, Muqaddas coupled it up with a smooth execution of the song as well. Muqaddas already possesses a silky voice and that adds up whenever he’s performing and it always works in his favor. Keeping a strong grip on the song throughout, Muqaddas managed to break into the fold of positive notes from the judges. Hadiqa said the same that was felt strongly by the in house and that Muqaddas worked his magic with his silky smooth vocals and said choosing a Pakistani song was a good idea. Salamat Ali Khan saab and Nizar Lalani played second fiddle.
Next up, it’s Subata. The song ‘Aaj Dil Gustakh Hay’, the film ‘Blue’, the singer ‘Shreya Ghoshal’. A beautifully worded song by ‘Mayar Puri’ equally well composed with a nice contemporary beat to it, this song is a difficult choice for Subata. But she looks in a defining mood tonight, as she takes the stage, there’s a flare in her eyes. As the music starts, she throws her arm, getting along with the initial beat. Subata looks all set to take on the song head on. In her trademark smooth voice Subata did a decent job with a song that demanded a versatile vocal ability to perform it to its merits. The audience clapped all along, though Subata struggled to bring in that x factor to the song. The judges politely pointed out what areas Subata had to work more upon. Hadiqa said that Subata is full of talents provided she works harder on her weaker points.
To close the show off, it’s Sajid. The song ‘Aaj Kal Tere Mere Pyaar Ke Charche’, the film ‘Brahmachari’ (1968), the singer ‘Mohamad Rafi’. To sing Rafi, like any other great vocalist, is an uphill task. Sajid has that knack required to sing Rafi but with a lot of practice and may be a decade of singing. That said, Sajid does have his moonwalk. Yes, Sajid has this signature dance move where he gets into the ‘Jackson’ mood. But the dance move is not the only thing he has in his repertoire. To go along with the other talent he put on display, he has an impressive vocal capacity. With tonight’s performance he drew the audience into the song. Getting along nicely with his impressive effort he fumbled a bit in the middle but recovered well and made it go unnoticed especially with the audience. The judges appreciated Sajid’s effort and gave him full marks for his moonwalk too!
It’s decision time!
The judges are up on the stage along with all the contestants. The first name Hadiqa announces is ‘Muqaddas’. The second one is ‘Aima’. The third to go to the semi finals is ‘Sajid’. At this point of time Hadiqa announces that there’s a twist in the story and rather than choosing three semifinalists, there’s a tie between three participants and they will all be going to the semis. So rather than having 3 participants, there will now be 6 semi finalists. The next one to go to the semi finals is ‘Jibran’. The fifth lucky participant to qualify for the semis is ‘Alycia’. And last but not the least it’s ‘Zain’.
See ya’ll at the semis!
Tuesday, July 6, 2010
LG ABS EPISODE 51 - 3rd QUARTER FINAL
The stage is set; the lights are up, sound checked, audience in, one last glance from the director as he takes his figure eight walk, seems satisfied, all set, here starts the competition!
It’s Sajid! The song: ‘Aa Mere Pyaar Ki Khushboo’, The singer: ‘Amanat Ali Khan’, The task: Crisp execution. As he takes the centre stage, Sajid seems to be embodying The 4 C’s; Cool, Calm, Collected & Composed. After going through the grief of loosing his aunt, Sajid seems unflinching in the face of adversity as he holds the microphone. Behind his visibly humble appearance there hides a soul rich in vocal assets. The song demands a smooth execution, the judges are all ears, and the audience is waiting for their share of treat. Sajid starts the song off with a strikingly well structured alaap. Nizar Lalani already seems to be right into the song from this very moment. And so it begins, Sajid holds the song together and manufactures it to order. He deals with the ups & downs of the track in a skillful manner and manages to draw it till the end. When it came down to the judges to deliver the verdict, Nizar Lalani said he could feel a tear drop inside Sajid. Both Hadiqa & Salamat Ali Khan appreciated Sajid’s effort as well.
1 down, 6 to go! Next up, it’s Zain! The song: ‘Akhiyan’ by ‘Fuzon’. As soon as the prelude hit the speakers the audience knew what song it was and that got them going. A groovy feeling takes over the auditorium. Feet started tapping, hands in the air, hip shaking, its fiesta! Zain, wearing a glittering jet black leather jacket, was contrary to his attire and was in a bright shinning mood. Looking determined to let the judges know what he’s capable of; Zain keeps a strong grip on the song right from the beginning. A perfect package was being delivered by Zain, he got the audience going, the judges were liking what he brought to the stage and Zain himself seem to be enjoying the track. Hadiqa said Zain was like that little kid who’s ‘Mast’ in his own ‘Masti’ and forgets the world around him as he sings. Salamt Ali Saab and Nizar Lalani appreciated Zain’s effort.
Next up is that ‘Smoky’ girl, Alycia! Wearing a Rajasthani Choli, bangles up her arms, sporting a traditional ‘Tika’ on the forehead, she dazzled the stage. The song; ‘Dholna’, a track packed with a pulsating beat of ‘Dhol’. As the thump of the ‘Dhol’ emanates from the sound blasters with an impressive bass, Alycia looks completely in charge of the proceedings. She takes over the whole place. A fast paced beat, an all dolled up girl, the heart pounding sound, what do you expect? An spectacle of song and dance! A broad smile on Nizar Lalani’s face as Alycia gets right into the track. As the song approaches its end, Alycia turns around, puts the mic onto the deck, faces up back to the audience, joins her hands together stretched in front of her and gets into a well choreographed and well synced dance move to finish it off in style. The audience loved it and the judges adored it. Nizar Lalani, still sporting a broad smile, dubbed Alycia a good performer. Both Hadiqa & Salamat Saab followed suit. A dazzling performance from Alycia sets the stage for our next performer.
Next up to pick up the gauntlet is Abdul Ahad. Dressed in a traditional, shiny ‘Kurta’, a red handy tied up to his wrist, Ahad seemed like he had just walked in from a set of ‘Qawwali’. And ‘Qawwali’ indeed he had prepared to render. It’s ‘Tum Se Mil Ke’, a traditional sub continental, musical genre, catered, served and reserved to please South Asian ears and its sheer ear candy. In his trademark manner, Ahad gets into the song. There’s something not quite right. Could be the texture of Ahad’s voice not finding the right match with the one required for this exclusive genre or could it be that Ahad was getting ahead of the track itself. Whatever it was, it didn’t quite do it for Ahad, and for the audience and the judges for that matter. Ahad seemed rushing into the song right from the beginning and that cost him. The judges pointed out the same. Ahad couldn’t make an impression this time round.
Black sunglasses, a suede like jacket, skin kissing T shirt and tightly fitted jeans, three guesses for who it was; it’s M. Ahad. Later it was revealed that the secret behind the sunglasses was not some latest fad but due to an eye infection Ahad had suffered. The song Ahad chooses for tonight is ‘Barso Re’ an almost heavy Metal representing bass guitar runs right through this song making it a bit hard to swallow for the audiences after some lighter performances being served to them. The sound is deafening and M. Ahad seems to be reveling in it. Playing an invisible bass guitar in his hands, Ahad sems occupied by the bassline. It’s noisy and it’s heart pounding. The judges, specially Nizar Lalani suggested Ahad should practice more sophisticated tracks with minimum variations. Salamat Ali saab suggested pretty much along the same lines.
Next up is Hamza, the song; ‘Zoobi Doobi’. Hamza has that certain charisma and that stage presence that’s required to get the crowd on their feet and might we say he utilizes it well. He does exactly the same this time round too. As soon as Hamza appears onto the stage you just know it’s bound to be a song full of performance utilities. However, this time round, Hamza couldn’t quite work his magic onto the audiences and judges alike. Hamza, though managed to impress one person in the hall and it happened to be Ms. Kiyani. Hadiqa appreciated Hamza’s effort while Salamat Saab and Nizar Lalani reserved their best comments on condition that Hamza performed better next time.
To close the show it’s Aima, representing Bahawalpur. As soon as Aima walks in, you’re dragged back into the fashion world of 60’s & 70’s. She’s sporting the looks tonight, wearing jeans and all. Even the make up went along with the attire. The song she chooses for tonight is ‘Piya Tu Ab To Aaja’. There’s something about this song, something that makes you shout out the name ‘Monica’! And that effect took over the host ‘Tipu’ as he grabbed the mic, stood up and went long, screaming ‘Monica’ behind Aima. The interlude seems to be getting hold of the audiences too as they swung to it. Aima manages to outperform her previous performance as she works up the magic required tonight. The judges again dubbed her a versatile performer and singer and foretold the bright future her throat can fetch her.
It’s Sajid! The song: ‘Aa Mere Pyaar Ki Khushboo’, The singer: ‘Amanat Ali Khan’, The task: Crisp execution. As he takes the centre stage, Sajid seems to be embodying The 4 C’s; Cool, Calm, Collected & Composed. After going through the grief of loosing his aunt, Sajid seems unflinching in the face of adversity as he holds the microphone. Behind his visibly humble appearance there hides a soul rich in vocal assets. The song demands a smooth execution, the judges are all ears, and the audience is waiting for their share of treat. Sajid starts the song off with a strikingly well structured alaap. Nizar Lalani already seems to be right into the song from this very moment. And so it begins, Sajid holds the song together and manufactures it to order. He deals with the ups & downs of the track in a skillful manner and manages to draw it till the end. When it came down to the judges to deliver the verdict, Nizar Lalani said he could feel a tear drop inside Sajid. Both Hadiqa & Salamat Ali Khan appreciated Sajid’s effort as well.
1 down, 6 to go! Next up, it’s Zain! The song: ‘Akhiyan’ by ‘Fuzon’. As soon as the prelude hit the speakers the audience knew what song it was and that got them going. A groovy feeling takes over the auditorium. Feet started tapping, hands in the air, hip shaking, its fiesta! Zain, wearing a glittering jet black leather jacket, was contrary to his attire and was in a bright shinning mood. Looking determined to let the judges know what he’s capable of; Zain keeps a strong grip on the song right from the beginning. A perfect package was being delivered by Zain, he got the audience going, the judges were liking what he brought to the stage and Zain himself seem to be enjoying the track. Hadiqa said Zain was like that little kid who’s ‘Mast’ in his own ‘Masti’ and forgets the world around him as he sings. Salamt Ali Saab and Nizar Lalani appreciated Zain’s effort.
Next up is that ‘Smoky’ girl, Alycia! Wearing a Rajasthani Choli, bangles up her arms, sporting a traditional ‘Tika’ on the forehead, she dazzled the stage. The song; ‘Dholna’, a track packed with a pulsating beat of ‘Dhol’. As the thump of the ‘Dhol’ emanates from the sound blasters with an impressive bass, Alycia looks completely in charge of the proceedings. She takes over the whole place. A fast paced beat, an all dolled up girl, the heart pounding sound, what do you expect? An spectacle of song and dance! A broad smile on Nizar Lalani’s face as Alycia gets right into the track. As the song approaches its end, Alycia turns around, puts the mic onto the deck, faces up back to the audience, joins her hands together stretched in front of her and gets into a well choreographed and well synced dance move to finish it off in style. The audience loved it and the judges adored it. Nizar Lalani, still sporting a broad smile, dubbed Alycia a good performer. Both Hadiqa & Salamat Saab followed suit. A dazzling performance from Alycia sets the stage for our next performer.
Next up to pick up the gauntlet is Abdul Ahad. Dressed in a traditional, shiny ‘Kurta’, a red handy tied up to his wrist, Ahad seemed like he had just walked in from a set of ‘Qawwali’. And ‘Qawwali’ indeed he had prepared to render. It’s ‘Tum Se Mil Ke’, a traditional sub continental, musical genre, catered, served and reserved to please South Asian ears and its sheer ear candy. In his trademark manner, Ahad gets into the song. There’s something not quite right. Could be the texture of Ahad’s voice not finding the right match with the one required for this exclusive genre or could it be that Ahad was getting ahead of the track itself. Whatever it was, it didn’t quite do it for Ahad, and for the audience and the judges for that matter. Ahad seemed rushing into the song right from the beginning and that cost him. The judges pointed out the same. Ahad couldn’t make an impression this time round.
Black sunglasses, a suede like jacket, skin kissing T shirt and tightly fitted jeans, three guesses for who it was; it’s M. Ahad. Later it was revealed that the secret behind the sunglasses was not some latest fad but due to an eye infection Ahad had suffered. The song Ahad chooses for tonight is ‘Barso Re’ an almost heavy Metal representing bass guitar runs right through this song making it a bit hard to swallow for the audiences after some lighter performances being served to them. The sound is deafening and M. Ahad seems to be reveling in it. Playing an invisible bass guitar in his hands, Ahad sems occupied by the bassline. It’s noisy and it’s heart pounding. The judges, specially Nizar Lalani suggested Ahad should practice more sophisticated tracks with minimum variations. Salamat Ali saab suggested pretty much along the same lines.
Next up is Hamza, the song; ‘Zoobi Doobi’. Hamza has that certain charisma and that stage presence that’s required to get the crowd on their feet and might we say he utilizes it well. He does exactly the same this time round too. As soon as Hamza appears onto the stage you just know it’s bound to be a song full of performance utilities. However, this time round, Hamza couldn’t quite work his magic onto the audiences and judges alike. Hamza, though managed to impress one person in the hall and it happened to be Ms. Kiyani. Hadiqa appreciated Hamza’s effort while Salamat Saab and Nizar Lalani reserved their best comments on condition that Hamza performed better next time.
To close the show it’s Aima, representing Bahawalpur. As soon as Aima walks in, you’re dragged back into the fashion world of 60’s & 70’s. She’s sporting the looks tonight, wearing jeans and all. Even the make up went along with the attire. The song she chooses for tonight is ‘Piya Tu Ab To Aaja’. There’s something about this song, something that makes you shout out the name ‘Monica’! And that effect took over the host ‘Tipu’ as he grabbed the mic, stood up and went long, screaming ‘Monica’ behind Aima. The interlude seems to be getting hold of the audiences too as they swung to it. Aima manages to outperform her previous performance as she works up the magic required tonight. The judges again dubbed her a versatile performer and singer and foretold the bright future her throat can fetch her.
Tuesday, June 29, 2010
LG ABS EPISODE 50 - 2nd QUARTER FINAL
It’s the 2nd Quarter Final!
The show is definitely gathering pace and gaining momentum as it strides towards the Grand Finale’. Only the best 12 are chosen and pitted against each other. As the competitive rivalries grow amongst the participants, the audience are provided with a pinch of excitement alongside nice voices and music to go along with it. It’s a complete package of entertainment, reality TV and musical treat!
Will Wasi be able to find an edge over Muqaddas? Or will Subata be able to out do Ghazal? Or will it be Jibran’s immaculately fabricated performance and package of looks and vocals? Sajid though couldn’t make it to tonight’s episode due to some unfortunate circumstances within his immediate family. But the show must go on! And there’s only one way to find out what unravels when it all kicks off!
The 50th episode of LG ABS started off with Muqadas choosing to sing a famous composition taken from 1963 Raj Kapoor starrer ‘Dil Hi To Hay’. The song is ‘Laaga Chunri Main Daagh’. Muqadas does an astonishing job, the ferocity with which his left hand stirs the air during the high notes, squares up against the fully stretched veins in his throat. The judges and the audience seem captivated by the show of skills this young lad has displayed. He picks up the gauntlet of alaaps thrown at him and turns it into an opportunity to show the judges what they’d been missing all along. All the judges were full of praises for him. Muqadas announces his arrival at the quarter finals and there’s panic in the ranks. Let the battle commence!
Next up is that dolled up girl, Ghazal, from the aptly named school ‘Happy Home’. The song: ‘Bawri Chakori’, the singer: The legendary ‘Noor Jehan’, the task: Uphill; to say the least. The syrupiness in Noor Jehan’s voice made this song undying. To live up to the standards set by the lady who was dubbed ‘The Queen of Melody’ must be a daunting prospect for a girl coming from a school named ‘Happy Home’. Ghazal starts the song off on shaky footings, meets the notes midway through. All throughout her performance she was full of nerves. Right at the beginning of the song she coughed twice during the interlude. A real nervy performance. It was not only felt by the audience but was obviously noticed by the judges. The judges latched on to everything she wasn’t supposed to be doing and gave Ghazal a modest score.
The next song in the line up is an eternally delectable treat for ears, a musical masterpiece. Done in Raag Hameer, Sitar by Ustad Abdul Halim Jafar Khan, rendition of Mukri by Bare Ghulam Ali Khan Saheb, Ustad Hafiz Ali Khan on Sarod, Khayal, Tarana & Teentaals… Some heavyweights of music! Wasi is the one who thinks he’s got what it takes to do justice to this masterpiece. Taken from the classic ‘Kohinoor’, the song is ‘Madhuban Mein Radhika Nache’. Wasi steps up to the challenge like a fighter and beautifully lifts the song off. By the time he gets to the Taal bit of the song, he’s warmed up enough to put in everything at it but the kitchen sink. Wasi battles with this gigantic track in an eloquent manner. He made the judges throw their heads around as he executes the taal exactly the way it should’ve been done. And when he exhales his breath after finishing it off, the judges are enthralled by his excellent performance. Wasi manages to do well with a classic masterpiece of South Asian music and gathers praises from the judges. Nizar Lalani though thought it was only a good attempt.
Next up is Subata, the girl with a soothing vocal tone. She sings Lata’s ‘Lag Ja Gale’ from the film ‘Woh Kaun Thi’ (1964) a Madan Mohan composition. Subata’s vocal range impressed the judges every time she transferred it from low to high, all throughout her performances during the entire show. She manages to hold her softish plane even when she hits the high notes and that’s one attribute that’s won accolades for her from the judges. In tonight’s performance, Subata pulls off yet another beautifully rendered Lata Ji’s song with an equally smooth execution. As Subata goes deeper into the song you could see some faces in the audience lip synching along with the song, some nostalgic faces and some in a somber mood. The judges applaud her easy on the ears approach and dub her a future professional singer.
To bring the curtains down on the show, Jibran walks up onto the stage. ‘Layi Vi Na Gayi’ is Jibran’s choice from the film ‘Chalte Chalte’. To match Sukhwinder Singh’s caliber is an overwhelming undertaking and Jibran seems unflinching in the face of trouble as he takes the centre stage. A true tear-jerker from Sukhwinder Singh was surely meant to bring the show to its end in a rather sad manner. Jibran’s voice adds more gloom to the melancholic theme of the track. Expressions aside, Jibran brings resonance to the song by impeccably keeping the song well within its merits. Hadiqa dubs Jibran a complete package and a crowd pleaser. A somber performance by Jibran brings a contrary rather cheerful decision by the judges to bring a smile on his face.
As the show draws closer to the 3rd Quarter Final, it remains to be seen which participant will take the heat and who will tackle their nerves to make it through to the semis. It’s surely turning into that classic music competition where not only your sound box is put to the test but also for the audience it’s that extra bit of excitement and suspense as to who will come up triumphant. It’s a gem of a dose for Pakistani TV which had built up an appetite over a period of time for such competitive competition of music, skills and rivalry. The show has definitely caught on and managed to fetch the viewers’ attention into this final stage as it enters into the cut throat zone!
Remember you get four chances to view the show; Fresh episode on Mondays @ 10pm on GEO Entertainment, Tuesdays @ 4pm (Repeat) on GEO Entertainment, Sundays @ 11am (Repeat) on GEO Entertainment & Sundays @ 9pm (Repeat) on AAG TV!
The show is definitely gathering pace and gaining momentum as it strides towards the Grand Finale’. Only the best 12 are chosen and pitted against each other. As the competitive rivalries grow amongst the participants, the audience are provided with a pinch of excitement alongside nice voices and music to go along with it. It’s a complete package of entertainment, reality TV and musical treat!
Will Wasi be able to find an edge over Muqaddas? Or will Subata be able to out do Ghazal? Or will it be Jibran’s immaculately fabricated performance and package of looks and vocals? Sajid though couldn’t make it to tonight’s episode due to some unfortunate circumstances within his immediate family. But the show must go on! And there’s only one way to find out what unravels when it all kicks off!
The 50th episode of LG ABS started off with Muqadas choosing to sing a famous composition taken from 1963 Raj Kapoor starrer ‘Dil Hi To Hay’. The song is ‘Laaga Chunri Main Daagh’. Muqadas does an astonishing job, the ferocity with which his left hand stirs the air during the high notes, squares up against the fully stretched veins in his throat. The judges and the audience seem captivated by the show of skills this young lad has displayed. He picks up the gauntlet of alaaps thrown at him and turns it into an opportunity to show the judges what they’d been missing all along. All the judges were full of praises for him. Muqadas announces his arrival at the quarter finals and there’s panic in the ranks. Let the battle commence!
Next up is that dolled up girl, Ghazal, from the aptly named school ‘Happy Home’. The song: ‘Bawri Chakori’, the singer: The legendary ‘Noor Jehan’, the task: Uphill; to say the least. The syrupiness in Noor Jehan’s voice made this song undying. To live up to the standards set by the lady who was dubbed ‘The Queen of Melody’ must be a daunting prospect for a girl coming from a school named ‘Happy Home’. Ghazal starts the song off on shaky footings, meets the notes midway through. All throughout her performance she was full of nerves. Right at the beginning of the song she coughed twice during the interlude. A real nervy performance. It was not only felt by the audience but was obviously noticed by the judges. The judges latched on to everything she wasn’t supposed to be doing and gave Ghazal a modest score.
The next song in the line up is an eternally delectable treat for ears, a musical masterpiece. Done in Raag Hameer, Sitar by Ustad Abdul Halim Jafar Khan, rendition of Mukri by Bare Ghulam Ali Khan Saheb, Ustad Hafiz Ali Khan on Sarod, Khayal, Tarana & Teentaals… Some heavyweights of music! Wasi is the one who thinks he’s got what it takes to do justice to this masterpiece. Taken from the classic ‘Kohinoor’, the song is ‘Madhuban Mein Radhika Nache’. Wasi steps up to the challenge like a fighter and beautifully lifts the song off. By the time he gets to the Taal bit of the song, he’s warmed up enough to put in everything at it but the kitchen sink. Wasi battles with this gigantic track in an eloquent manner. He made the judges throw their heads around as he executes the taal exactly the way it should’ve been done. And when he exhales his breath after finishing it off, the judges are enthralled by his excellent performance. Wasi manages to do well with a classic masterpiece of South Asian music and gathers praises from the judges. Nizar Lalani though thought it was only a good attempt.
Next up is Subata, the girl with a soothing vocal tone. She sings Lata’s ‘Lag Ja Gale’ from the film ‘Woh Kaun Thi’ (1964) a Madan Mohan composition. Subata’s vocal range impressed the judges every time she transferred it from low to high, all throughout her performances during the entire show. She manages to hold her softish plane even when she hits the high notes and that’s one attribute that’s won accolades for her from the judges. In tonight’s performance, Subata pulls off yet another beautifully rendered Lata Ji’s song with an equally smooth execution. As Subata goes deeper into the song you could see some faces in the audience lip synching along with the song, some nostalgic faces and some in a somber mood. The judges applaud her easy on the ears approach and dub her a future professional singer.
To bring the curtains down on the show, Jibran walks up onto the stage. ‘Layi Vi Na Gayi’ is Jibran’s choice from the film ‘Chalte Chalte’. To match Sukhwinder Singh’s caliber is an overwhelming undertaking and Jibran seems unflinching in the face of trouble as he takes the centre stage. A true tear-jerker from Sukhwinder Singh was surely meant to bring the show to its end in a rather sad manner. Jibran’s voice adds more gloom to the melancholic theme of the track. Expressions aside, Jibran brings resonance to the song by impeccably keeping the song well within its merits. Hadiqa dubs Jibran a complete package and a crowd pleaser. A somber performance by Jibran brings a contrary rather cheerful decision by the judges to bring a smile on his face.
As the show draws closer to the 3rd Quarter Final, it remains to be seen which participant will take the heat and who will tackle their nerves to make it through to the semis. It’s surely turning into that classic music competition where not only your sound box is put to the test but also for the audience it’s that extra bit of excitement and suspense as to who will come up triumphant. It’s a gem of a dose for Pakistani TV which had built up an appetite over a period of time for such competitive competition of music, skills and rivalry. The show has definitely caught on and managed to fetch the viewers’ attention into this final stage as it enters into the cut throat zone!
Remember you get four chances to view the show; Fresh episode on Mondays @ 10pm on GEO Entertainment, Tuesdays @ 4pm (Repeat) on GEO Entertainment, Sundays @ 11am (Repeat) on GEO Entertainment & Sundays @ 9pm (Repeat) on AAG TV!
Monday, June 21, 2010
LG ABS EPISODE 49 - 1st QUARTER FINAL
It’s the quarter finals!
And to throw the competition wide open, it’s Zain who walks up to the stage.
Contestant No. 01:
‘Bintee Karat Hoon’ is the one that Zain’s settled upon. Sung by Amanat Ali, the song has runnings of alaaps all through out it. Zain starts it off with a beautifully executed alaap, intertwined with audience appreciation. Zain’s folkish voice adds that extra flavor to this already spiced up South Asian melody. As he delves deeper into this gem of a track, he only gets better and better. Better alaaps, more better rhythm and an immaculate control over his pitch. The judges were impressed, an all round performance from Zain earns him both the favor and reward from the judges. This guy is a serious contender for the throne!
Contestant No. 02:
Next up is Abdul Ahad. Fresh from a long break before the quarter finals, Ahad has had enough time to practice and sharpen his tools. He sings ‘Men Tenu Samjhawan Ki’, a track from the latest Pakistani film ‘Virsa’, music for which is composed by ‘Jawad Ahemd’. Such a beautiful track! Ahad’s voice goes along with the nature of this song. Ahad softly & gently lifts the track up and gains control of it. Seems like all that time he’s been away is spent on practicing more and more. The judges response is a mix bag though, carrot and stick. Perhaps he could’ve done more with his body language to blend in a bit further with the track.
Contestant No. 03:
It’s Aima! The girl who rocked her way through to the quarter finals. She sang Hadiqa, she sang difficult Bollywood tracks and saw through tough competition from her peers. And she made it through! Earning high praises from Hadiqa, you could see the stars in her eyes every time she took that stage. This time round she settles upon taking on ‘Zindagi Main Kabhi Koi Aaye Na Rabba’, a song from the Bollywood film ‘Musafir’. ‘Musafir’ was labeled as a not so original film due to its resemblance to the storyline of another Hollywood cult classic but the soundtrack was not short of its own perks. In her trademark style, Aima starts the song off, stretching her left hand up front every now and then. Aima manages the track well and finishes it off with a bang too. The judges, who’re always a bit too kind to her, were not short of praises for her this time round as well.
Contestant No. 04:
It’s that boy with his countless hats! It’s Hamza! And this time round he’s praising a girl by saying ‘Tere Naina Tere Naina’, a track from the Bollywood film ‘My Name Is Khan’, sung by ‘Shafqat’. Hamza always manages to bring in a different flavor to the table and this time round he doesn’t fall short of it either. He engages the audience right from the beginning. A broad smile on his face vanishes away every time the track demands a serious touch to it and as soon as he deals with it, it hops back again. Hamza manages to lighten up the mood with a gentle tone, after Aima’s somber performance. The judges, who always appreciate what pleasant personality Hamza owns, don’t hold back this time either, and blend their constructive criticism along with it.
Contestant No. 05:
It’s that girl with the smoky voice, Alycia! And she sings a beautifully arranged composition by Amit Trivedi, ‘Ik Tara’. Taken from the film ‘Wake Up S!d’, the lyrics of the song gently lift your spirit up and thumps the sadness away. Alycia in her signature move gets right into the song and starts moving the audience with an enchanting voice, custom made for this kind of song. As the other contestants and the audience join her in the chorus, the song travels the sands of time like nothing. The judges kind of tilted towards liking the performance but not without a pinch of salt.
Contestant No. 06:
It’s time for the last contestant on this first quarter finals episode. It’s the ‘Engineer Babu’ – M. Ahad. The film is ‘Baiju Bawra’ (1952), the singer ‘Mohammad Rafi’, the Music Director ‘Naushad’ and the song is ‘Duniya Ke Rakhwale’. Singing Mohammad Rafi is a big deal and i.e. for any given contestant and M. Ahad is no exception. He will have to go through the mill to get this one right and put it in order. M. Ahad starts the song off in his usual soft manner. This song will surely test Ahad’s vocal chords. There is a legend attached to this song about when Mr. Rafi sang it, apparently he had a tough time recording it since it does really put stress on your sound box. M. Ahad musters a mix bag of feedback from the judges.
And to throw the competition wide open, it’s Zain who walks up to the stage.
Contestant No. 01:
‘Bintee Karat Hoon’ is the one that Zain’s settled upon. Sung by Amanat Ali, the song has runnings of alaaps all through out it. Zain starts it off with a beautifully executed alaap, intertwined with audience appreciation. Zain’s folkish voice adds that extra flavor to this already spiced up South Asian melody. As he delves deeper into this gem of a track, he only gets better and better. Better alaaps, more better rhythm and an immaculate control over his pitch. The judges were impressed, an all round performance from Zain earns him both the favor and reward from the judges. This guy is a serious contender for the throne!
Contestant No. 02:
Next up is Abdul Ahad. Fresh from a long break before the quarter finals, Ahad has had enough time to practice and sharpen his tools. He sings ‘Men Tenu Samjhawan Ki’, a track from the latest Pakistani film ‘Virsa’, music for which is composed by ‘Jawad Ahemd’. Such a beautiful track! Ahad’s voice goes along with the nature of this song. Ahad softly & gently lifts the track up and gains control of it. Seems like all that time he’s been away is spent on practicing more and more. The judges response is a mix bag though, carrot and stick. Perhaps he could’ve done more with his body language to blend in a bit further with the track.
Contestant No. 03:
It’s Aima! The girl who rocked her way through to the quarter finals. She sang Hadiqa, she sang difficult Bollywood tracks and saw through tough competition from her peers. And she made it through! Earning high praises from Hadiqa, you could see the stars in her eyes every time she took that stage. This time round she settles upon taking on ‘Zindagi Main Kabhi Koi Aaye Na Rabba’, a song from the Bollywood film ‘Musafir’. ‘Musafir’ was labeled as a not so original film due to its resemblance to the storyline of another Hollywood cult classic but the soundtrack was not short of its own perks. In her trademark style, Aima starts the song off, stretching her left hand up front every now and then. Aima manages the track well and finishes it off with a bang too. The judges, who’re always a bit too kind to her, were not short of praises for her this time round as well.
Contestant No. 04:
It’s that boy with his countless hats! It’s Hamza! And this time round he’s praising a girl by saying ‘Tere Naina Tere Naina’, a track from the Bollywood film ‘My Name Is Khan’, sung by ‘Shafqat’. Hamza always manages to bring in a different flavor to the table and this time round he doesn’t fall short of it either. He engages the audience right from the beginning. A broad smile on his face vanishes away every time the track demands a serious touch to it and as soon as he deals with it, it hops back again. Hamza manages to lighten up the mood with a gentle tone, after Aima’s somber performance. The judges, who always appreciate what pleasant personality Hamza owns, don’t hold back this time either, and blend their constructive criticism along with it.
Contestant No. 05:
It’s that girl with the smoky voice, Alycia! And she sings a beautifully arranged composition by Amit Trivedi, ‘Ik Tara’. Taken from the film ‘Wake Up S!d’, the lyrics of the song gently lift your spirit up and thumps the sadness away. Alycia in her signature move gets right into the song and starts moving the audience with an enchanting voice, custom made for this kind of song. As the other contestants and the audience join her in the chorus, the song travels the sands of time like nothing. The judges kind of tilted towards liking the performance but not without a pinch of salt.
Contestant No. 06:
It’s time for the last contestant on this first quarter finals episode. It’s the ‘Engineer Babu’ – M. Ahad. The film is ‘Baiju Bawra’ (1952), the singer ‘Mohammad Rafi’, the Music Director ‘Naushad’ and the song is ‘Duniya Ke Rakhwale’. Singing Mohammad Rafi is a big deal and i.e. for any given contestant and M. Ahad is no exception. He will have to go through the mill to get this one right and put it in order. M. Ahad starts the song off in his usual soft manner. This song will surely test Ahad’s vocal chords. There is a legend attached to this song about when Mr. Rafi sang it, apparently he had a tough time recording it since it does really put stress on your sound box. M. Ahad musters a mix bag of feedback from the judges.
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